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	<title>Sideshows &#187; Argentina</title>
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	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>Beaver plague in fashion</title>
		<link>http://blog.sideshows.org/2008/10/juana-de-arc</link>
		<comments>http://blog.sideshows.org/2008/10/juana-de-arc#comments</comments>
		<pubDate>Sat, 11 Oct 2008 04:36:12 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Tradition]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=113</guid>
		<description><![CDATA[This summer in Paris, Le Bon Marché—considered the first department store, it opened in 1876 in a building designed by Gustave Eiffel—had an exhibition and section devoted to young fashion designers from Buenos Aires. Among the labels included was Juana de Arco, founded and directed by the Argentine designer Mariana Cortés. On exhibition were items [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Red Cloud Approaching Manhattan</title>
		<link>http://blog.sideshows.org/2008/08/democracy-in-america-jitrik</link>
		<comments>http://blog.sideshows.org/2008/08/democracy-in-america-jitrik#comments</comments>
		<pubDate>Fri, 29 Aug 2008 17:03:01 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Democracy in America]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Foreign Correspondents]]></category>
		<category><![CDATA[Magdalena Jitrik]]></category>
		<category><![CDATA[Native American]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=95</guid>
		<description><![CDATA[The sketch above is an artwork in progress by Argentine visual artist Magdalena Jitrik, who is known for her mostly-abstract paintings on canvas and her collective work as part of the Taller Popular de Serigrafía (a.k.a. TPS). This new work combines Magdalena’s interest in social and political history, explored through her paintings, and in the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Class Action in Modern Painters</title>
		<link>http://blog.sideshows.org/2008/03/class-action-modern-painters</link>
		<comments>http://blog.sideshows.org/2008/03/class-action-modern-painters#comments</comments>
		<pubDate>Sun, 16 Mar 2008 04:00:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[6a Bienal do Mercosul]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/class-action-modern-painters</guid>
		<description><![CDATA[During my visit to Brazil last October, I had the opportunity of attending the second of two international symposiums that were organized in conjunction to the 6a Bienal do Mercosul (6th Mercosur Biennale) in the city of Porto Alegre. Titled, “Art for Education, Education for Art,” the symposium brought together artists, critics and other types [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>(A)live from DiTella</title>
		<link>http://blog.sideshows.org/2008/03/alive-from-ditella</link>
		<comments>http://blog.sideshows.org/2008/03/alive-from-ditella#comments</comments>
		<pubDate>Tue, 30 Nov 1999 04:00:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/alive-from-ditella</guid>
		<description><![CDATA[On my last night in Buenos Aires, I attended the inauguration of the group exhibition Fantasmas (Ghosts) at the Universidad Torcuato DiTella in Buenos Aires—a place most commonly associated to 1960s avant garde art in Argentina, through the most times controversial Centro de Artes Visuales directed by Jorge Romero Brest. Curated by Guillermo Faivovich and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Buenos Dias, Argentina</title>
		<link>http://blog.sideshows.org/2008/03/artist-residency-argentina</link>
		<comments>http://blog.sideshows.org/2008/03/artist-residency-argentina#comments</comments>
		<pubDate>Thu, 06 Mar 2008 21:44:58 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistResidency]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/artist-residency-argentina</guid>
		<description><![CDATA[The wake of artist-run spaces and independent cultural initiatives in Argentina is telling of the state of cultural policy of a country, as well as the institutional work, or lack thereof, of established venues. But it is also telling of something else—of a need and a desire to develop communities. To be in touch, exchange [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Report on Autopsy</title>
		<link>http://blog.sideshows.org/2008/03/notes-on-autopsy-malba</link>
		<comments>http://blog.sideshows.org/2008/03/notes-on-autopsy-malba#comments</comments>
		<pubDate>Mon, 03 Mar 2008 02:21:05 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Autopsia de lo invisible]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Ignacio Lang]]></category>
		<category><![CDATA[Juan Manuel Echavarria]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Regina Jose Galindo]]></category>
		<category><![CDATA[Teresa Margolles]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/notes-on-autopsy-malba</guid>
		<description><![CDATA[Less than a week after its opening, the group exhibition Autopsia de lo invisible (Autopsy of the Invisible) at MALBA has received critical acclaim in Argentina: art critic Fabián Lebenglik writes an extensive article for the newspaper Página 12; so does Mariana Rolandi for the newspaper Clarín; Ana Martínez Quijano for Ambito Financiero, and; Mercedes [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Imperative to Communicate</title>
		<link>http://blog.sideshows.org/2008/02/the-imperative-to-communicate</link>
		<comments>http://blog.sideshows.org/2008/02/the-imperative-to-communicate#comments</comments>
		<pubDate>Fri, 29 Feb 2008 23:25:42 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/the-imperative-to-communicate</guid>
		<description><![CDATA[After lunch, we took a walk at a busy street in Barrio Palermo. It took us about five blocks to get to New York. The year was circa 1966, and Eduardo Costa had taken me to me moment he proposed the editor of Vogue to incorporate his newest conceptual artwork in that magazine. Soon after, [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/02/the-imperative-to-communicate/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Autopsy of the Invisible</title>
		<link>http://blog.sideshows.org/2008/02/autopsia-invisible-malba-buenos-aires</link>
		<comments>http://blog.sideshows.org/2008/02/autopsia-invisible-malba-buenos-aires#comments</comments>
		<pubDate>Sun, 24 Feb 2008 20:22:47 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Autopsia de lo invisible]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Ignacio Lang]]></category>
		<category><![CDATA[Juan Manuel Echavarria]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Regina Jose Galindo]]></category>
		<category><![CDATA[Teresa Margolles]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/autopsia-invisible-malba-buenos-aires</guid>
		<description><![CDATA[I&#8217;ve been in Buenos Aires, Argentina for a bit more than two weeks. The purpose of my stay is the exhibition Autopsia de lo invisible (Autopsy of the Invisible), which I curated for the Museo de Arte Latinoamericano de Buenos Aires &#8211; Fundación Costantini. (The museum is most commonly known as MALBA.) Autopsia de lo [...]]]></description>
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