<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Sideshows &#187; Art</title>
	<atom:link href="http://blog.sideshows.org/tag/art/feed" rel="self" type="application/rss+xml" />
	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
	<lastBuildDate>Thu, 11 Aug 2011 15:54:24 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.1</generator>
		<item>
		<title>Artistic Sensibility, Civic Responsability</title>
		<link>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment</link>
		<comments>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment#comments</comments>
		<pubDate>Thu, 11 Aug 2011 15:47:29 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Queens Museum]]></category>
		<category><![CDATA[Tania Bruguera]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=961</guid>
		<description><![CDATA[Since the 1990s, Tania Bruguera has exhibited widely, making performances, staging interventions, and creating installations that destabilize received notions of power. Perhaps her most recognizable work is her performance “The Burden of Guilt” (1997-1999), in which the artist, wearing a raw-lamb carcass, eats dirt with her hands; the performance, we later learned, was a re-enactment [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>In Black and White</title>
		<link>http://blog.sideshows.org/2011/07/marta-traba-black-and-white</link>
		<comments>http://blog.sideshows.org/2011/07/marta-traba-black-and-white#comments</comments>
		<pubDate>Sat, 16 Jul 2011 20:09:45 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Colombia]]></category>
		<category><![CDATA[Murmur]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Television]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=953</guid>
		<description><![CDATA[Marta Traba in Black and White – the third publication from Murmur, released today – is a translation from the Spanish to the English of selected passages from an essay by Nicolás Gómez Echeverri. His text examines the 1950s-era Colombian television programs produced by the influential South American art critic and historian Marta Traba. The [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2011/07/marta-traba-black-and-white/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>For Curatorial Junkies</title>
		<link>http://blog.sideshows.org/2010/09/the-exhibitionistfor-curatorial-junkies</link>
		<comments>http://blog.sideshows.org/2010/09/the-exhibitionistfor-curatorial-junkies#comments</comments>
		<pubDate>Sat, 18 Sep 2010 22:05:42 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Jens Hoffmann]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[The Exhibitionist]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=899</guid>
		<description><![CDATA[Let me say it upfront: I consider myself a curatorial junkie. Since the mid-1990s, I began consuming what became a sudden surge of conferences and publications on exhibition history that addressed the ways in which art interpretation owes much to its forms of display. Position papers and essays presented in those platforms also argued that [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2010/09/the-exhibitionistfor-curatorial-junkies/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dispersion</title>
		<link>http://blog.sideshows.org/2010/09/dispersion</link>
		<comments>http://blog.sideshows.org/2010/09/dispersion#comments</comments>
		<pubDate>Sun, 12 Sep 2010 04:05:11 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Murmur]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Seth Price]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=888</guid>
		<description><![CDATA[Murmur&#8217;s second publication is the Spanish version of Dispersion, an essay by New York-based visual artist Seth Price. The essay was originally written in English and published in 2002 by the artist. Like Murmur&#8217;s Conceptualism and Economy, this publication is available here as a downloadable-PDF at no cost. Murmur is an independent curatorial initiative that [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2010/09/dispersion/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Visual Arts Facsimile</title>
		<link>http://blog.sideshows.org/2010/04/visual-arts-facsimile</link>
		<comments>http://blog.sideshows.org/2010/04/visual-arts-facsimile#comments</comments>
		<pubDate>Fri, 02 Apr 2010 01:32:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Publications]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=724</guid>
		<description><![CDATA[In 1973, the Museo de Arte Moderno (MAM) in Mexico City launched the magazine Artes Visuales. The magazine was one of the museum projects of the ever-dynamic Fernando Gamboa, MAM’s director from 1972 to 1981. During his lifetime, and through and beyond his work at MAM, Gamboa became a leading exhibition designer and organizer, museums [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2010/04/visual-arts-facsimile/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>murmur</title>
		<link>http://blog.sideshows.org/2010/03/murmur</link>
		<comments>http://blog.sideshows.org/2010/03/murmur#comments</comments>
		<pubDate>Wed, 17 Mar 2010 14:56:08 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Aaron Schuster]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Conceptualism]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Lee Lozano]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>
		<category><![CDATA[Murmur]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Seth Price]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=718</guid>
		<description><![CDATA[The first publication of Murmur is a brief but incisive anthology titled Conceptualism and Economy. The publication gathers text-based works by visual artists: a performance script by Mario Garcia Torres in collaboration with writer Aaron Schuster; a project proposal by Lee Lozano; an essay by Seth Price; and a manifesto-like speech by Joe Scanlan. More [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2010/03/murmur/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Only the truth —contemporary opera and the making of legends</title>
		<link>http://blog.sideshows.org/2010/03/only-the-truth-contemporary-opera</link>
		<comments>http://blog.sideshows.org/2010/03/only-the-truth-contemporary-opera#comments</comments>
		<pubDate>Mon, 15 Mar 2010 19:02:13 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Rubén Ortiz Torres]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=708</guid>
		<description><![CDATA[After years of conceptualization and production, visual artist Rubén Ortiz-Torres and his sister, the music composer Gabriela Ortiz, premiered their opera, Únicamente la verdad (Only the truth), last Thursday in Mexico City’s Teatro Julio Castillo. This new opera is an interpretation of the many myths and stories about a character, Camelia la Tejana, with a [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2010/03/only-the-truth-contemporary-opera/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A space for all things</title>
		<link>http://blog.sideshows.org/2009/04/parliament-of-reality</link>
		<comments>http://blog.sideshows.org/2009/04/parliament-of-reality#comments</comments>
		<pubDate>Thu, 30 Apr 2009 17:15:46 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=662</guid>
		<description><![CDATA[After a couple of year in planning and construction, the permanent outdoor sculpture The parliament of reality by Olafur Eliasson opens in just a couple of weeks at Bard College in New York. An art commission done in collaboration between Bard&#8217;s Center for Curatorial Studies and the Luma Foundation, Eliasson’s sculpture consists of an island [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2009/04/parliament-of-reality/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From one gallery to another</title>
		<link>http://blog.sideshows.org/2009/01/le-bureau-curators-paris</link>
		<comments>http://blog.sideshows.org/2009/01/le-bureau-curators-paris#comments</comments>
		<pubDate>Wed, 14 Jan 2009 14:45:25 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=573</guid>
		<description><![CDATA[In the following interview, the emerging curator Emilie Villez discusses the formation and recent work of the Parisian curatorial collective, Le Bureau/, and about the burgeoning French Association for Curators that she was instrumental in forming with other colleagues in the field. Aside from being active in those two organizations, Emilie writes, curates independently, and [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2009/01/le-bureau-curators-paris/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What does it take to make an alternative?</title>
		<link>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei</link>
		<comments>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei#comments</comments>
		<pubDate>Fri, 14 Nov 2008 17:47:59 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=115</guid>
		<description><![CDATA[Originally in French, Gustave Affeulpin’s The so-called utopia of the centre beaubourg (1976) is a fictional report on the construction and operations of an art center underneath the Centre Georges Pompidou in Paris, France. Built in tandem with the museum that is internationally known as the “Pompidou”—native Parisians mostly refer to it simply as &#8220;Beaubourg&#8221;—the [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

