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	<title>Sideshows &#187; ArtistRun</title>
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	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>Artistic Sensibility, Civic Responsability</title>
		<link>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment</link>
		<comments>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment#comments</comments>
		<pubDate>Thu, 11 Aug 2011 15:47:29 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Queens Museum]]></category>
		<category><![CDATA[Tania Bruguera]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=961</guid>
		<description><![CDATA[Since the 1990s, Tania Bruguera has exhibited widely, making performances, staging interventions, and creating installations that destabilize received notions of power. Perhaps her most recognizable work is her performance “The Burden of Guilt” (1997-1999), in which the artist, wearing a raw-lamb carcass, eats dirt with her hands; the performance, we later learned, was a re-enactment [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What does it take to make an alternative?</title>
		<link>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei</link>
		<comments>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei#comments</comments>
		<pubDate>Fri, 14 Nov 2008 17:47:59 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=115</guid>
		<description><![CDATA[Originally in French, Gustave Affeulpin’s The so-called utopia of the centre beaubourg (1976) is a fictional report on the construction and operations of an art center underneath the Centre Georges Pompidou in Paris, France. Built in tandem with the museum that is internationally known as the “Pompidou”—native Parisians mostly refer to it simply as &#8220;Beaubourg&#8221;—the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Cultural diplomacy&#8211;for some, a curatorial task</title>
		<link>http://blog.sideshows.org/2008/08/cultural-diplomacy-curating-china-defne-ayas</link>
		<comments>http://blog.sideshows.org/2008/08/cultural-diplomacy-curating-china-defne-ayas#comments</comments>
		<pubDate>Tue, 19 Aug 2008 12:59:52 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtHub]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[CulturalExchange]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Defne Ayas]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[PERFORMA]]></category>
		<category><![CDATA[Performance]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=93</guid>
		<description><![CDATA[“Cultural diplomacy&#8211;for some, a curatorial task” is the title of the third in a series of interviews with foreign curators working inside and outside of institutions in China and Hong Kong. Each interview has a distinct relationship to China’s contemporary art scene—as well as to ideas of local community building and international cultural exchange. The [...]]]></description>
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		<title>A contemporary approach to tradition</title>
		<link>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt</link>
		<comments>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt#comments</comments>
		<pubDate>Thu, 03 Jul 2008 15:24:34 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Tradition]]></category>
		<category><![CDATA[Zoe Butt]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=87</guid>
		<description><![CDATA[“A Contemporary Approach to Tradition” is the title of the second in a series of interviews with foreign curators working inside and outside of institutions in China and Hong Kong. Each curator interviewed has a distinct relationship to China’s contemporary art scene—as well as to ideas of local community building and international cultural exchange. The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>What does it mean to be international today?</title>
		<link>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle</link>
		<comments>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle#comments</comments>
		<pubDate>Thu, 12 Jun 2008 22:02:51 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=83</guid>
		<description><![CDATA[This is the first in a series of interviews with young curators working inside and outside of institutions in China and Hong Kong. I&#8217;ve specifically interviewed curators that are foreigners there, each with a distinct relationship to the contemporary art scene in China, as well as to ideas of local community building and international cultural [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Raising the paddle for a surrealist manifesto and a 1990s painting on Melrose</title>
		<link>http://blog.sideshows.org/2008/05/special-art-auctions</link>
		<comments>http://blog.sideshows.org/2008/05/special-art-auctions#comments</comments>
		<pubDate>Tue, 20 May 2008 21:02:16 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Auctions]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Publications]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=76</guid>
		<description><![CDATA[Andre Breton’s original 21-page manuscript of the Surrealist Manifesto (1924) will be auctioned tomorrow afternoon at Sotheby’s in Paris. This historical document is part of a larger auction including more than 200 lots, items drawn from the collection of Simone Collinet, Breton’s first wife. (Collinet died in 1980; the sale is arranged by her heirs.) [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/05/special-art-auctions/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A special kind of COMPANY</title>
		<link>http://blog.sideshows.org/2008/04/special-company-fawn-krieger</link>
		<comments>http://blog.sideshows.org/2008/04/special-company-fawn-krieger#comments</comments>
		<pubDate>Tue, 08 Apr 2008 08:08:06 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fawn Krieger]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=56</guid>
		<description><![CDATA[The shopping list included a variety of items, from a new notebook to some travel gifts to a variety of travel-size cosmetics to a lipstick, and I figured that at least one of these could be found at COMPANY, a gift, for example. Once there, it was difficult to contain myself. I ended up purchasing: [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/04/special-company-fawn-krieger/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Buenos Dias, Argentina</title>
		<link>http://blog.sideshows.org/2008/03/artist-residency-argentina</link>
		<comments>http://blog.sideshows.org/2008/03/artist-residency-argentina#comments</comments>
		<pubDate>Thu, 06 Mar 2008 21:44:58 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistResidency]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/artist-residency-argentina</guid>
		<description><![CDATA[The wake of artist-run spaces and independent cultural initiatives in Argentina is telling of the state of cultural policy of a country, as well as the institutional work, or lack thereof, of established venues. But it is also telling of something else—of a need and a desire to develop communities. To be in touch, exchange [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/03/artist-residency-argentina/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Imperative to Communicate</title>
		<link>http://blog.sideshows.org/2008/02/the-imperative-to-communicate</link>
		<comments>http://blog.sideshows.org/2008/02/the-imperative-to-communicate#comments</comments>
		<pubDate>Fri, 29 Feb 2008 23:25:42 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/the-imperative-to-communicate</guid>
		<description><![CDATA[After lunch, we took a walk at a busy street in Barrio Palermo. It took us about five blocks to get to New York. The year was circa 1966, and Eduardo Costa had taken me to me moment he proposed the editor of Vogue to incorporate his newest conceptual artwork in that magazine. Soon after, [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/02/the-imperative-to-communicate/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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