<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Sideshows &#187; Collecting</title>
	<atom:link href="http://blog.sideshows.org/tag/collecting/feed" rel="self" type="application/rss+xml" />
	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
	<lastBuildDate>Thu, 11 Aug 2011 15:54:24 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.1</generator>
		<item>
		<title>A space for all things</title>
		<link>http://blog.sideshows.org/2009/04/parliament-of-reality</link>
		<comments>http://blog.sideshows.org/2009/04/parliament-of-reality#comments</comments>
		<pubDate>Thu, 30 Apr 2009 17:15:46 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=662</guid>
		<description><![CDATA[After a couple of year in planning and construction, the permanent outdoor sculpture The parliament of reality by Olafur Eliasson opens in just a couple of weeks at Bard College in New York. An art commission done in collaboration between Bard&#8217;s Center for Curatorial Studies and the Luma Foundation, Eliasson’s sculpture consists of an island [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2009/04/parliament-of-reality/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Archaeology of Longing</title>
		<link>http://blog.sideshows.org/2008/09/archaeology-of-longing</link>
		<comments>http://blog.sideshows.org/2008/09/archaeology-of-longing#comments</comments>
		<pubDate>Tue, 02 Sep 2008 21:49:03 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alejandro Cesarco]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Archives Erik Satie]]></category>
		<category><![CDATA[Bethan Huws]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Emma Hedditch]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fabio Kacero]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Kay Rosen]]></category>
		<category><![CDATA[Lars Svendsen]]></category>
		<category><![CDATA[Lisa Tan]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Rober Racine]]></category>
		<category><![CDATA[Susan Sontag]]></category>
		<category><![CDATA[Tania Bruguera]]></category>
		<category><![CDATA[Tomás Alonso]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=97</guid>
		<description><![CDATA[For the last couple of months, I’ve been in residency at Kadist Art Foundation in Paris, France. This is a private foundation initiated in 2001, which has been forming a collection of contemporary art, and organizing exhibitions and residencies. I am curating their upcoming exhibition, Archaeology of Longing (Archéologie de la Chine), which takes place [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/09/archaeology-of-longing/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Examining Tests</title>
		<link>http://blog.sideshows.org/2008/08/museum-projective-personality-testing-cabinet</link>
		<comments>http://blog.sideshows.org/2008/08/museum-projective-personality-testing-cabinet#comments</comments>
		<pubDate>Sun, 17 Aug 2008 23:19:13 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Cabinet Magazine]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Psychoanalysis]]></category>
		<category><![CDATA[Religion]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=91</guid>
		<description><![CDATA[“We live in a culture so saturated with tests—administered by schools, corporations, the military and hospitals, amongst others—that we have come to believe that we can only know ourselves through the mechanics of examination.” This is the start of the introductory wall text of The Museum of Projective Personality Testing. Created by Cabinet magazine editors [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/08/museum-projective-personality-testing-cabinet/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A contemporary approach to tradition</title>
		<link>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt</link>
		<comments>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt#comments</comments>
		<pubDate>Thu, 03 Jul 2008 15:24:34 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Tradition]]></category>
		<category><![CDATA[Zoe Butt]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=87</guid>
		<description><![CDATA[“A Contemporary Approach to Tradition” is the title of the second in a series of interviews with foreign curators working inside and outside of institutions in China and Hong Kong. Each curator interviewed has a distinct relationship to China’s contemporary art scene—as well as to ideas of local community building and international cultural exchange. The [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ways in which the past conceives the future, or, how to stage time travel</title>
		<link>http://blog.sideshows.org/2008/06/maison-de-verre-paris</link>
		<comments>http://blog.sideshows.org/2008/06/maison-de-verre-paris#comments</comments>
		<pubDate>Sun, 29 Jun 2008 19:44:22 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Erik Satie]]></category>
		<category><![CDATA[Francis Picabia]]></category>
		<category><![CDATA[Maison de Verre]]></category>
		<category><![CDATA[Modernism]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Pierre Chareau]]></category>
		<category><![CDATA[Time Travel]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=85</guid>
		<description><![CDATA[Originally commissioned by Jean Dalsace, a gynecholosit, and his wife, Annie, to the French designer Pierre Chareau, the Maison de Verre (Glass House) was constructed between 1927-1932 in Paris, and represents a modernist live- and workspace par excellence. Pierre Chareau, who was not a liscensed architect at the time, created a design team including the [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/06/maison-de-verre-paris/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What does it mean to be international today?</title>
		<link>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle</link>
		<comments>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle#comments</comments>
		<pubDate>Thu, 12 Jun 2008 22:02:51 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=83</guid>
		<description><![CDATA[This is the first in a series of interviews with young curators working inside and outside of institutions in China and Hong Kong. I&#8217;ve specifically interviewed curators that are foreigners there, each with a distinct relationship to the contemporary art scene in China, as well as to ideas of local community building and international cultural [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Raising the paddle for a surrealist manifesto and a 1990s painting on Melrose</title>
		<link>http://blog.sideshows.org/2008/05/special-art-auctions</link>
		<comments>http://blog.sideshows.org/2008/05/special-art-auctions#comments</comments>
		<pubDate>Tue, 20 May 2008 21:02:16 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Auctions]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Publications]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=76</guid>
		<description><![CDATA[Andre Breton’s original 21-page manuscript of the Surrealist Manifesto (1924) will be auctioned tomorrow afternoon at Sotheby’s in Paris. This historical document is part of a larger auction including more than 200 lots, items drawn from the collection of Simone Collinet, Breton’s first wife. (Collinet died in 1980; the sale is arranged by her heirs.) [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/05/special-art-auctions/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>In Times of War</title>
		<link>http://blog.sideshows.org/2008/05/in-times-of-war</link>
		<comments>http://blog.sideshows.org/2008/05/in-times-of-war#comments</comments>
		<pubDate>Mon, 12 May 2008 12:54:50 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Museum]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=71</guid>
		<description><![CDATA[Not only the dinner last night at Ananais—where we savored rabo de toro (bull’s tail)—had prepared me for this event. In fact, it seemed that every day this past weekend was grounding for tonight’s bullfight. It had been long since I last attended one of these events, and never had I been to one in [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/05/in-times-of-war/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Imperative to Communicate</title>
		<link>http://blog.sideshows.org/2008/02/the-imperative-to-communicate</link>
		<comments>http://blog.sideshows.org/2008/02/the-imperative-to-communicate#comments</comments>
		<pubDate>Fri, 29 Feb 2008 23:25:42 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/the-imperative-to-communicate</guid>
		<description><![CDATA[After lunch, we took a walk at a busy street in Barrio Palermo. It took us about five blocks to get to New York. The year was circa 1966, and Eduardo Costa had taken me to me moment he proposed the editor of Vogue to incorporate his newest conceptual artwork in that magazine. Soon after, [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/02/the-imperative-to-communicate/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

