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	<title>Sideshows &#187; Interview</title>
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	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>Intellectually Inauspicious Environments</title>
		<link>http://blog.sideshows.org/2009/08/yishai-jusidman-interview</link>
		<comments>http://blog.sideshows.org/2009/08/yishai-jusidman-interview#comments</comments>
		<pubDate>Mon, 31 Aug 2009 00:06:35 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Yishai Jusidman]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=693</guid>
		<description><![CDATA[Over a year ago, while Yishai Jusidman was preparing for a major survey exhibition of his work, which is currently on view at the Museo de Arte Moderno (MAM) in Mexico City, I had an extended email exchange with the artist about his artistic process and practice. At some point, our correspondence was contemplated as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>From one gallery to another</title>
		<link>http://blog.sideshows.org/2009/01/le-bureau-curators-paris</link>
		<comments>http://blog.sideshows.org/2009/01/le-bureau-curators-paris#comments</comments>
		<pubDate>Wed, 14 Jan 2009 14:45:25 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=573</guid>
		<description><![CDATA[In the following interview, the emerging curator Emilie Villez discusses the formation and recent work of the Parisian curatorial collective, Le Bureau/, and about the burgeoning French Association for Curators that she was instrumental in forming with other colleagues in the field. Aside from being active in those two organizations, Emilie writes, curates independently, and [...]]]></description>
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		<title>Cultural diplomacy&#8211;for some, a curatorial task</title>
		<link>http://blog.sideshows.org/2008/08/cultural-diplomacy-curating-china-defne-ayas</link>
		<comments>http://blog.sideshows.org/2008/08/cultural-diplomacy-curating-china-defne-ayas#comments</comments>
		<pubDate>Tue, 19 Aug 2008 12:59:52 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtHub]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[CulturalExchange]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Defne Ayas]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[PERFORMA]]></category>
		<category><![CDATA[Performance]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=93</guid>
		<description><![CDATA[“Cultural diplomacy&#8211;for some, a curatorial task” is the title of the third in a series of interviews with foreign curators working inside and outside of institutions in China and Hong Kong. Each interview has a distinct relationship to China’s contemporary art scene—as well as to ideas of local community building and international cultural exchange. The [...]]]></description>
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		<title>A contemporary approach to tradition</title>
		<link>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt</link>
		<comments>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt#comments</comments>
		<pubDate>Thu, 03 Jul 2008 15:24:34 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Tradition]]></category>
		<category><![CDATA[Zoe Butt]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=87</guid>
		<description><![CDATA[“A Contemporary Approach to Tradition” is the title of the second in a series of interviews with foreign curators working inside and outside of institutions in China and Hong Kong. Each curator interviewed has a distinct relationship to China’s contemporary art scene—as well as to ideas of local community building and international cultural exchange. The [...]]]></description>
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		<title>What does it mean to be international today?</title>
		<link>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle</link>
		<comments>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle#comments</comments>
		<pubDate>Thu, 12 Jun 2008 22:02:51 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=83</guid>
		<description><![CDATA[This is the first in a series of interviews with young curators working inside and outside of institutions in China and Hong Kong. I&#8217;ve specifically interviewed curators that are foreigners there, each with a distinct relationship to the contemporary art scene in China, as well as to ideas of local community building and international cultural [...]]]></description>
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		<title>&#8220;Tricksters or fakes, assistants or ‘toons, they are exemplars of the coming community.&#8221;</title>
		<link>http://blog.sideshows.org/2008/05/phantom-rosebuds</link>
		<comments>http://blog.sideshows.org/2008/05/phantom-rosebuds#comments</comments>
		<pubDate>Sat, 31 May 2008 12:45:16 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Selected]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Dexter Sinister]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fake]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kevin Killian]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Raimundas Malasauskas]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=80</guid>
		<description><![CDATA[Since the publication of his Autobiography of Howard Hughes in 1972, the life of writer Clifford Iriving has been nothing but adventure. That book was a “fake” and unauthorized biography of the eccentric aviator and film director Howard Hughes (1905-1976), an American tycoon billionaire who died in 1976 after being in reclusion the last years [...]]]></description>
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