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	<title>Sideshows &#187; Jiří Kovanda</title>
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	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>Show and Tell</title>
		<link>http://blog.sideshows.org/2008/10/show-and-tell</link>
		<comments>http://blog.sideshows.org/2008/10/show-and-tell#comments</comments>
		<pubDate>Wed, 01 Oct 2008 04:46:41 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Jiří Kovanda]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Patrick Killoran]]></category>
		<category><![CDATA[Performance]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=111</guid>
		<description><![CDATA[I went to kiss Jiří Kovanda at Bétonsalon—a re-enactment for him, first time for me. The kissing was one of the performances in Playtime, an exhibition curated by Bétonsalon’s director, Mélanie Bouteloup, and her colleague Grégory Castéra. In different ways, the curators played with the notion of performative display, redefining the use of the gallery, [...]]]></description>
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		<title>&#8220;I gazed at the sun for so long that I’ve started to cry.&#8221;</title>
		<link>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun</link>
		<comments>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun#comments</comments>
		<pubDate>Wed, 17 Sep 2008 20:34:10 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Crying]]></category>
		<category><![CDATA[GB Agency]]></category>
		<category><![CDATA[Jiří Kovanda]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Paris]]></category>

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		<description><![CDATA[Czech Republic has a legacy and currency of conceptualism, and, for that matter, a socio-economic history in which working socially has its own political connotations. It is not surprising that the Czech artists with most international presence are conceptualists. Think of Jiří Kovanda’s scheduled actions and happenings; Kateřina Šedá’s social projects; Jiří Skála’s writing performances; [...]]]></description>
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