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	<title>Sideshows &#187; Kateřina Šedá</title>
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	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>&#8220;I gazed at the sun for so long that I’ve started to cry.&#8221;</title>
		<link>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun</link>
		<comments>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun#comments</comments>
		<pubDate>Wed, 17 Sep 2008 20:34:10 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Crying]]></category>
		<category><![CDATA[GB Agency]]></category>
		<category><![CDATA[Jiří Kovanda]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Paris]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=104</guid>
		<description><![CDATA[Czech Republic has a legacy and currency of conceptualism, and, for that matter, a socio-economic history in which working socially has its own political connotations. It is not surprising that the Czech artists with most international presence are conceptualists. Think of Jiří Kovanda’s scheduled actions and happenings; Kateřina Šedá’s social projects; Jiří Skála’s writing performances; [...]]]></description>
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		<title>Archaeology of Longing</title>
		<link>http://blog.sideshows.org/2008/09/archaeology-of-longing</link>
		<comments>http://blog.sideshows.org/2008/09/archaeology-of-longing#comments</comments>
		<pubDate>Tue, 02 Sep 2008 21:49:03 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alejandro Cesarco]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Archives Erik Satie]]></category>
		<category><![CDATA[Bethan Huws]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Emma Hedditch]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fabio Kacero]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Kay Rosen]]></category>
		<category><![CDATA[Lars Svendsen]]></category>
		<category><![CDATA[Lisa Tan]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Rober Racine]]></category>
		<category><![CDATA[Susan Sontag]]></category>
		<category><![CDATA[Tania Bruguera]]></category>
		<category><![CDATA[Tomás Alonso]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=97</guid>
		<description><![CDATA[For the last couple of months, I’ve been in residency at Kadist Art Foundation in Paris, France. This is a private foundation initiated in 2001, which has been forming a collection of contemporary art, and organizing exhibitions and residencies. I am curating their upcoming exhibition, Archaeology of Longing (Archéologie de la Chine), which takes place [...]]]></description>
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