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	<title>Sideshows &#187; Mexico</title>
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	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>Visual Arts Facsimile</title>
		<link>http://blog.sideshows.org/2010/04/visual-arts-facsimile</link>
		<comments>http://blog.sideshows.org/2010/04/visual-arts-facsimile#comments</comments>
		<pubDate>Fri, 02 Apr 2010 01:32:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Publications]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=724</guid>
		<description><![CDATA[In 1973, the Museo de Arte Moderno (MAM) in Mexico City launched the magazine Artes Visuales. The magazine was one of the museum projects of the ever-dynamic Fernando Gamboa, MAM’s director from 1972 to 1981. During his lifetime, and through and beyond his work at MAM, Gamboa became a leading exhibition designer and organizer, museums [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Only the truth —contemporary opera and the making of legends</title>
		<link>http://blog.sideshows.org/2010/03/only-the-truth-contemporary-opera</link>
		<comments>http://blog.sideshows.org/2010/03/only-the-truth-contemporary-opera#comments</comments>
		<pubDate>Mon, 15 Mar 2010 19:02:13 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Rubén Ortiz Torres]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=708</guid>
		<description><![CDATA[After years of conceptualization and production, visual artist Rubén Ortiz-Torres and his sister, the music composer Gabriela Ortiz, premiered their opera, Únicamente la verdad (Only the truth), last Thursday in Mexico City’s Teatro Julio Castillo. This new opera is an interpretation of the many myths and stories about a character, Camelia la Tejana, with a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Intellectually Inauspicious Environments</title>
		<link>http://blog.sideshows.org/2009/08/yishai-jusidman-interview</link>
		<comments>http://blog.sideshows.org/2009/08/yishai-jusidman-interview#comments</comments>
		<pubDate>Mon, 31 Aug 2009 00:06:35 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Yishai Jusidman]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=693</guid>
		<description><![CDATA[Over a year ago, while Yishai Jusidman was preparing for a major survey exhibition of his work, which is currently on view at the Museo de Arte Moderno (MAM) in Mexico City, I had an extended email exchange with the artist about his artistic process and practice. At some point, our correspondence was contemplated as [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>After a walk along Reforma</title>
		<link>http://blog.sideshows.org/2009/06/teodoro-gonzalez-de-leon</link>
		<comments>http://blog.sideshows.org/2009/06/teodoro-gonzalez-de-leon#comments</comments>
		<pubDate>Sun, 14 Jun 2009 14:06:30 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Flickr]]></category>
		<category><![CDATA[Mexico]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=667</guid>
		<description><![CDATA[This afternoon, my sister and I were given an architectural tour in Mexico City by Fabianita and J.P. Banks from Antidomingo. The tour focused on architect Teodoro González de León. His architecture is characterized for its monumentality. Most of his commissioned projects are public buildings, cultural centers and large business complexes. His staple architectural elements [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
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		<title>Silent Light, Noisy Times</title>
		<link>http://blog.sideshows.org/2008/09/silent-light</link>
		<comments>http://blog.sideshows.org/2008/09/silent-light#comments</comments>
		<pubDate>Wed, 24 Sep 2008 08:36:40 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Carlos Reygadas]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Tradition]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=106</guid>
		<description><![CDATA[The year of our visit must have been 1983. Maybe ‘86. At some eight years of age, the sight of the Mennonites was simply incomprehensible. Our arrival to their settlement in Cuauhtémoc, Chihuahua was preceded by a longer trip that had taken us to colonial towns and cities in central Mexico. The northern part of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Foreign Correspondents</title>
		<link>http://blog.sideshows.org/2008/09/foreign-correspondents</link>
		<comments>http://blog.sideshows.org/2008/09/foreign-correspondents#comments</comments>
		<pubDate>Thu, 11 Sep 2008 08:40:04 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Chu Yun]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Democracy in America]]></category>
		<category><![CDATA[Erick Beltran]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Foreign Correspondents]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Magdalena Jitrik]]></category>
		<category><![CDATA[Mexico]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=101</guid>
		<description><![CDATA[Organized by Creative Time, Democracy in America is a national-based project investigating democratic tradition in the United States. This year-long umbrella project, curated by Nato Thompson, has several components, among them, a series of national art commissions, some of which were co-coordinated with host institutions, and a New York City convergence center and exhibition. At [...]]]></description>
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		<title>An influence that will live on</title>
		<link>http://blog.sideshows.org/2008/05/olivier-debroise</link>
		<comments>http://blog.sideshows.org/2008/05/olivier-debroise#comments</comments>
		<pubDate>Tue, 13 May 2008 23:22:15 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Cuauhtemoc Medina]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Olivier Debroise]]></category>
		<category><![CDATA[Rubén Ortiz Torres]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=69</guid>
		<description><![CDATA[Independent curator Olivier Debroise passed away last week, unexpectedly, and the news has given me great sadness. I scroll through these pages, and find that even the first entry shows a picture of him and Cuauhtémoc working away. Scrolling a bit more here and there, other entries, my library, some notes, and again is Olivier’s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Religions. Surrealisms. Always unfamiliar territories.</title>
		<link>http://blog.sideshows.org/2008/03/religion-surrealism-always-unfamiliar-territories</link>
		<comments>http://blog.sideshows.org/2008/03/religion-surrealism-always-unfamiliar-territories#comments</comments>
		<pubDate>Tue, 01 Apr 2008 00:43:10 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adventure]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/religion-surrealism-always-unfamiliar-territories</guid>
		<description><![CDATA[As if weren’t enough, right after the travel adventure in Oaxaca, I headed on a road trip to central Mexico. The trip was to and through the Sierra Gorda in the state of Queretaro, the natural habitat of over 400 different butterflies, among many other species. The first Franciscan missions directed by Father Junipero Serra [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/03/religion-surrealism-always-unfamiliar-territories/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>At the Pace of a Turtle</title>
		<link>http://blog.sideshows.org/2008/03/oaxaca</link>
		<comments>http://blog.sideshows.org/2008/03/oaxaca#comments</comments>
		<pubDate>Wed, 19 Mar 2008 02:59:58 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adventure]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Oaxaca]]></category>
		<category><![CDATA[Pyramids]]></category>
		<category><![CDATA[Tom Cruz]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/oaxaca</guid>
		<description><![CDATA[Grasshopper antennas, their translucent wings and even a couple of the little insects&#8217; hairy legs were all stuck in-between my teeth. My gums itched, and the sensation in my tongue was so disgusting and vivid that it woke me up in a sweat. Thankfully, it was only a dream, a nightmare, really. That evening, our [...]]]></description>
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