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	<title>Sideshows &#187; Paris</title>
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	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>From one gallery to another</title>
		<link>http://blog.sideshows.org/2009/01/le-bureau-curators-paris</link>
		<comments>http://blog.sideshows.org/2009/01/le-bureau-curators-paris#comments</comments>
		<pubDate>Wed, 14 Jan 2009 14:45:25 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=573</guid>
		<description><![CDATA[In the following interview, the emerging curator Emilie Villez discusses the formation and recent work of the Parisian curatorial collective, Le Bureau/, and about the burgeoning French Association for Curators that she was instrumental in forming with other colleagues in the field. Aside from being active in those two organizations, Emilie writes, curates independently, and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What it was. What it is.</title>
		<link>http://blog.sideshows.org/2009/01/jeremy-deller-revolution-conversations-iraq</link>
		<comments>http://blog.sideshows.org/2009/01/jeremy-deller-revolution-conversations-iraq#comments</comments>
		<pubDate>Thu, 08 Jan 2009 06:51:19 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Iraq]]></category>
		<category><![CDATA[Jeremy Deller]]></category>
		<category><![CDATA[New Museum]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Paris]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=558</guid>
		<description><![CDATA[One of the strongest exhibitions I saw in 2008 was From One Revolution to Another, presented during the fall and winter at the Palais de Tokyo in Paris. The exhibition was part of the institution’s Carte Blanche initiative, whereby an artist is given time slot in the schedule to curate an exhibition in the entire [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What does it take to make an alternative?</title>
		<link>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei</link>
		<comments>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei#comments</comments>
		<pubDate>Fri, 14 Nov 2008 17:47:59 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=115</guid>
		<description><![CDATA[Originally in French, Gustave Affeulpin’s The so-called utopia of the centre beaubourg (1976) is a fictional report on the construction and operations of an art center underneath the Centre Georges Pompidou in Paris, France. Built in tandem with the museum that is internationally known as the “Pompidou”—native Parisians mostly refer to it simply as &#8220;Beaubourg&#8221;—the [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beaver plague in fashion</title>
		<link>http://blog.sideshows.org/2008/10/juana-de-arc</link>
		<comments>http://blog.sideshows.org/2008/10/juana-de-arc#comments</comments>
		<pubDate>Sat, 11 Oct 2008 04:36:12 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Tradition]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=113</guid>
		<description><![CDATA[This summer in Paris, Le Bon Marché—considered the first department store, it opened in 1876 in a building designed by Gustave Eiffel—had an exhibition and section devoted to young fashion designers from Buenos Aires. Among the labels included was Juana de Arco, founded and directed by the Argentine designer Mariana Cortés. On exhibition were items [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/10/juana-de-arc/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Show and Tell</title>
		<link>http://blog.sideshows.org/2008/10/show-and-tell</link>
		<comments>http://blog.sideshows.org/2008/10/show-and-tell#comments</comments>
		<pubDate>Wed, 01 Oct 2008 04:46:41 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Jiří Kovanda]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Patrick Killoran]]></category>
		<category><![CDATA[Performance]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=111</guid>
		<description><![CDATA[I went to kiss Jiří Kovanda at Bétonsalon—a re-enactment for him, first time for me. The kissing was one of the performances in Playtime, an exhibition curated by Bétonsalon’s director, Mélanie Bouteloup, and her colleague Grégory Castéra. In different ways, the curators played with the notion of performative display, redefining the use of the gallery, [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/10/show-and-tell/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Doubles</title>
		<link>http://blog.sideshows.org/2008/09/la-ruche-paris-haiti</link>
		<comments>http://blog.sideshows.org/2008/09/la-ruche-paris-haiti#comments</comments>
		<pubDate>Wed, 01 Oct 2008 01:24:44 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Haiti]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=109</guid>
		<description><![CDATA[When I asked him to talk about André Breton’s 1946 lecture in Haiti, the 83-year old Gérald Bloncourt said that he couldn’t exactly recall the details. “I was busy,” he added, “and preoccupied, carrying a gun in my pocket and guarding my friend Jacques Stephan Alexis, whose task that day was assassinating Lescot.” Considered more [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/09/la-ruche-paris-haiti/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Scarcity</title>
		<link>http://blog.sideshows.org/2008/09/scarcity-emma-hedditch</link>
		<comments>http://blog.sideshows.org/2008/09/scarcity-emma-hedditch#comments</comments>
		<pubDate>Sun, 28 Sep 2008 13:45:18 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Emma Hedditch]]></category>
		<category><![CDATA[Erik Satie]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=108</guid>
		<description><![CDATA[In one of the drawings by Emma Hedditch that is part of the exhibition Archaeology of Longing, there are two characters depicted in profile. One is lying down on the ground, or, well, at the edge of the paper; the other one is just above, leaning towards the first. Both figured with short hair, and [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/09/scarcity-emma-hedditch/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;I gazed at the sun for so long that I’ve started to cry.&#8221;</title>
		<link>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun</link>
		<comments>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun#comments</comments>
		<pubDate>Wed, 17 Sep 2008 20:34:10 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Crying]]></category>
		<category><![CDATA[GB Agency]]></category>
		<category><![CDATA[Jiří Kovanda]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Paris]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=104</guid>
		<description><![CDATA[Czech Republic has a legacy and currency of conceptualism, and, for that matter, a socio-economic history in which working socially has its own political connotations. It is not surprising that the Czech artists with most international presence are conceptualists. Think of Jiří Kovanda’s scheduled actions and happenings; Kateřina Šedá’s social projects; Jiří Skála’s writing performances; [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/09/i-gazed-at-the-sun/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I&#8217;ve Got a Secret</title>
		<link>http://blog.sideshows.org/2008/09/ive-got-a-secret</link>
		<comments>http://blog.sideshows.org/2008/09/ive-got-a-secret#comments</comments>
		<pubDate>Tue, 16 Sep 2008 20:44:54 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Archives Erik Satie]]></category>
		<category><![CDATA[Erik Satie]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Rober Racine]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=103</guid>
		<description><![CDATA[Today, forty-five years ago, musician John Cale performed Erik Satie’s Vexations once in the television program “I’ve Got a Secret,” a weekly show of CBS Television in America. This happened only a couple of days after the legendary performance of Vexations organized by John Cage. That concert lasted 18 hours and 40 minutes, and was [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/09/ive-got-a-secret/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Archaeology of Longing</title>
		<link>http://blog.sideshows.org/2008/09/archaeology-of-longing</link>
		<comments>http://blog.sideshows.org/2008/09/archaeology-of-longing#comments</comments>
		<pubDate>Tue, 02 Sep 2008 21:49:03 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alejandro Cesarco]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Archives Erik Satie]]></category>
		<category><![CDATA[Bethan Huws]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Emma Hedditch]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fabio Kacero]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Kay Rosen]]></category>
		<category><![CDATA[Lars Svendsen]]></category>
		<category><![CDATA[Lisa Tan]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Rober Racine]]></category>
		<category><![CDATA[Susan Sontag]]></category>
		<category><![CDATA[Tania Bruguera]]></category>
		<category><![CDATA[Tomás Alonso]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=97</guid>
		<description><![CDATA[For the last couple of months, I’ve been in residency at Kadist Art Foundation in Paris, France. This is a private foundation initiated in 2001, which has been forming a collection of contemporary art, and organizing exhibitions and residencies. I am curating their upcoming exhibition, Archaeology of Longing (Archéologie de la Chine), which takes place [...]]]></description>
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		<slash:comments>0</slash:comments>
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