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	<title>Sideshows &#187; pedagogy</title>
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	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>A space for all things</title>
		<link>http://blog.sideshows.org/2009/04/parliament-of-reality</link>
		<comments>http://blog.sideshows.org/2009/04/parliament-of-reality#comments</comments>
		<pubDate>Thu, 30 Apr 2009 17:15:46 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=662</guid>
		<description><![CDATA[After a couple of year in planning and construction, the permanent outdoor sculpture The parliament of reality by Olafur Eliasson opens in just a couple of weeks at Bard College in New York. An art commission done in collaboration between Bard&#8217;s Center for Curatorial Studies and the Luma Foundation, Eliasson’s sculpture consists of an island [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>From one gallery to another</title>
		<link>http://blog.sideshows.org/2009/01/le-bureau-curators-paris</link>
		<comments>http://blog.sideshows.org/2009/01/le-bureau-curators-paris#comments</comments>
		<pubDate>Wed, 14 Jan 2009 14:45:25 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=573</guid>
		<description><![CDATA[In the following interview, the emerging curator Emilie Villez discusses the formation and recent work of the Parisian curatorial collective, Le Bureau/, and about the burgeoning French Association for Curators that she was instrumental in forming with other colleagues in the field. Aside from being active in those two organizations, Emilie writes, curates independently, and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What does it take to make an alternative?</title>
		<link>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei</link>
		<comments>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei#comments</comments>
		<pubDate>Fri, 14 Nov 2008 17:47:59 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=115</guid>
		<description><![CDATA[Originally in French, Gustave Affeulpin’s The so-called utopia of the centre beaubourg (1976) is a fictional report on the construction and operations of an art center underneath the Centre Georges Pompidou in Paris, France. Built in tandem with the museum that is internationally known as the “Pompidou”—native Parisians mostly refer to it simply as &#8220;Beaubourg&#8221;—the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>A contemporary approach to tradition</title>
		<link>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt</link>
		<comments>http://blog.sideshows.org/2008/07/china-international-director-long-march-project-zoe-butt#comments</comments>
		<pubDate>Thu, 03 Jul 2008 15:24:34 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Tradition]]></category>
		<category><![CDATA[Zoe Butt]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=87</guid>
		<description><![CDATA[“A Contemporary Approach to Tradition” is the title of the second in a series of interviews with foreign curators working inside and outside of institutions in China and Hong Kong. Each curator interviewed has a distinct relationship to China’s contemporary art scene—as well as to ideas of local community building and international cultural exchange. The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What does it mean to be international today?</title>
		<link>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle</link>
		<comments>http://blog.sideshows.org/2008/06/ullens-china-international-curator-kate-fowle#comments</comments>
		<pubDate>Thu, 12 Jun 2008 22:02:51 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Asia]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kate Fowle]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=83</guid>
		<description><![CDATA[This is the first in a series of interviews with young curators working inside and outside of institutions in China and Hong Kong. I&#8217;ve specifically interviewed curators that are foreigners there, each with a distinct relationship to the contemporary art scene in China, as well as to ideas of local community building and international cultural [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Class Action in Modern Painters</title>
		<link>http://blog.sideshows.org/2008/03/class-action-modern-painters</link>
		<comments>http://blog.sideshows.org/2008/03/class-action-modern-painters#comments</comments>
		<pubDate>Sun, 16 Mar 2008 04:00:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[6a Bienal do Mercosul]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/class-action-modern-painters</guid>
		<description><![CDATA[During my visit to Brazil last October, I had the opportunity of attending the second of two international symposiums that were organized in conjunction to the 6a Bienal do Mercosul (6th Mercosur Biennale) in the city of Porto Alegre. Titled, “Art for Education, Education for Art,” the symposium brought together artists, critics and other types [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/03/class-action-modern-painters/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Some &#8216;casas&#8217; in Mexico City</title>
		<link>http://blog.sideshows.org/2008/03/casas-mexico-city</link>
		<comments>http://blog.sideshows.org/2008/03/casas-mexico-city#comments</comments>
		<pubDate>Mon, 10 Mar 2008 04:00:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Olivier Debroise]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/1999/11/2-ays-mexico-city</guid>
		<description><![CDATA[I flew direct from Buenos Aires to Mexico City on Friday, and spent a busy weekend attending family commitments and social events. Of course, there were other activities, too: on Saturday, visits to Museo Casa de Leon Trotsky and La Casa Azul of Frida Khalo, both house-museums in Coyoacan. On Sunday, the afternoon was devoted [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/03/casas-mexico-city/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>(A)live from DiTella</title>
		<link>http://blog.sideshows.org/2008/03/alive-from-ditella</link>
		<comments>http://blog.sideshows.org/2008/03/alive-from-ditella#comments</comments>
		<pubDate>Tue, 30 Nov 1999 04:00:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/alive-from-ditella</guid>
		<description><![CDATA[On my last night in Buenos Aires, I attended the inauguration of the group exhibition Fantasmas (Ghosts) at the Universidad Torcuato DiTella in Buenos Aires—a place most commonly associated to 1960s avant garde art in Argentina, through the most times controversial Centro de Artes Visuales directed by Jorge Romero Brest. Curated by Guillermo Faivovich and [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/03/alive-from-ditella/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Buenos Dias, Argentina</title>
		<link>http://blog.sideshows.org/2008/03/artist-residency-argentina</link>
		<comments>http://blog.sideshows.org/2008/03/artist-residency-argentina#comments</comments>
		<pubDate>Thu, 06 Mar 2008 21:44:58 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Argentina]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistResidency]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/2008/03/artist-residency-argentina</guid>
		<description><![CDATA[The wake of artist-run spaces and independent cultural initiatives in Argentina is telling of the state of cultural policy of a country, as well as the institutional work, or lack thereof, of established venues. But it is also telling of something else—of a need and a desire to develop communities. To be in touch, exchange [...]]]></description>
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		<slash:comments>0</slash:comments>
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