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	<title>Sideshows &#187; Publications</title>
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	<link>http://blog.sideshows.org</link>
	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>In Black and White</title>
		<link>http://blog.sideshows.org/2011/07/marta-traba-black-and-white</link>
		<comments>http://blog.sideshows.org/2011/07/marta-traba-black-and-white#comments</comments>
		<pubDate>Sat, 16 Jul 2011 20:09:45 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Colombia]]></category>
		<category><![CDATA[Murmur]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Television]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=953</guid>
		<description><![CDATA[Marta Traba in Black and White – the third publication from Murmur, released today – is a translation from the Spanish to the English of selected passages from an essay by Nicolás Gómez Echeverri. His text examines the 1950s-era Colombian television programs produced by the influential South American art critic and historian Marta Traba. The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Some Independents</title>
		<link>http://blog.sideshows.org/2011/02/independent-curator-websites</link>
		<comments>http://blog.sideshows.org/2011/02/independent-curator-websites#comments</comments>
		<pubDate>Sun, 13 Feb 2011 01:35:12 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Pablo Leon de la Barra]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Raimundas Malasauskas]]></category>
		<category><![CDATA[Regine Basha]]></category>
		<category><![CDATA[Rene Gabri]]></category>
		<category><![CDATA[Websites]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=914</guid>
		<description><![CDATA[There are a number of independent curators whom I have had a sustained dialogue with in the last decade or so. How and when we met is unclear; how we have maintained a dialogue is easier to say: the decade’s digital penpal frenzy has kept us together. But the pressing &#8212; albeit unvoiced &#8212; question [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>For Curatorial Junkies</title>
		<link>http://blog.sideshows.org/2010/09/the-exhibitionistfor-curatorial-junkies</link>
		<comments>http://blog.sideshows.org/2010/09/the-exhibitionistfor-curatorial-junkies#comments</comments>
		<pubDate>Sat, 18 Sep 2010 22:05:42 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Jens Hoffmann]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[The Exhibitionist]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=899</guid>
		<description><![CDATA[Let me say it upfront: I consider myself a curatorial junkie. Since the mid-1990s, I began consuming what became a sudden surge of conferences and publications on exhibition history that addressed the ways in which art interpretation owes much to its forms of display. Position papers and essays presented in those platforms also argued that [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Dispersion</title>
		<link>http://blog.sideshows.org/2010/09/dispersion</link>
		<comments>http://blog.sideshows.org/2010/09/dispersion#comments</comments>
		<pubDate>Sun, 12 Sep 2010 04:05:11 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Murmur]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Seth Price]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=888</guid>
		<description><![CDATA[Murmur&#8217;s second publication is the Spanish version of Dispersion, an essay by New York-based visual artist Seth Price. The essay was originally written in English and published in 2002 by the artist. Like Murmur&#8217;s Conceptualism and Economy, this publication is available here as a downloadable-PDF at no cost. Murmur is an independent curatorial initiative that [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Visual Arts Facsimile</title>
		<link>http://blog.sideshows.org/2010/04/visual-arts-facsimile</link>
		<comments>http://blog.sideshows.org/2010/04/visual-arts-facsimile#comments</comments>
		<pubDate>Fri, 02 Apr 2010 01:32:00 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[Museum]]></category>
		<category><![CDATA[Publications]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=724</guid>
		<description><![CDATA[In 1973, the Museo de Arte Moderno (MAM) in Mexico City launched the magazine Artes Visuales. The magazine was one of the museum projects of the ever-dynamic Fernando Gamboa, MAM’s director from 1972 to 1981. During his lifetime, and through and beyond his work at MAM, Gamboa became a leading exhibition designer and organizer, museums [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>murmur</title>
		<link>http://blog.sideshows.org/2010/03/murmur</link>
		<comments>http://blog.sideshows.org/2010/03/murmur#comments</comments>
		<pubDate>Wed, 17 Mar 2010 14:56:08 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Aaron Schuster]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Conceptualism]]></category>
		<category><![CDATA[Economy]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Lee Lozano]]></category>
		<category><![CDATA[Mario Garcia Torres]]></category>
		<category><![CDATA[Murmur]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Seth Price]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=718</guid>
		<description><![CDATA[The first publication of Murmur is a brief but incisive anthology titled Conceptualism and Economy. The publication gathers text-based works by visual artists: a performance script by Mario Garcia Torres in collaboration with writer Aaron Schuster; a project proposal by Lee Lozano; an essay by Seth Price; and a manifesto-like speech by Joe Scanlan. More [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Out this summer</title>
		<link>http://blog.sideshows.org/2009/07/afterall-where-we-are-now</link>
		<comments>http://blog.sideshows.org/2009/07/afterall-where-we-are-now#comments</comments>
		<pubDate>Thu, 23 Jul 2009 02:41:29 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Marisa Jahn]]></category>
		<category><![CDATA[Michael Rakowitz]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Where We Are Now]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=680</guid>
		<description><![CDATA[These days, with much moving to and from cities, I&#8217;ve had little to no time at my desk. Thankfully, I devoted much of the spring to writing and editing, and some of that is being published this summer. This makes me feel a bit less anxious. The current issue of Afterall has an essay of [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2009/07/afterall-where-we-are-now/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What does it take to make an alternative?</title>
		<link>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei</link>
		<comments>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei#comments</comments>
		<pubDate>Fri, 14 Nov 2008 17:47:59 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Youtube]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=115</guid>
		<description><![CDATA[Originally in French, Gustave Affeulpin’s The so-called utopia of the centre beaubourg (1976) is a fictional report on the construction and operations of an art center underneath the Centre Georges Pompidou in Paris, France. Built in tandem with the museum that is internationally known as the “Pompidou”—native Parisians mostly refer to it simply as &#8220;Beaubourg&#8221;—the [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/11/the-so-called-utopia-luca-frei/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Archaeology of Longing</title>
		<link>http://blog.sideshows.org/2008/09/archaeology-of-longing</link>
		<comments>http://blog.sideshows.org/2008/09/archaeology-of-longing#comments</comments>
		<pubDate>Tue, 02 Sep 2008 21:49:03 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alejandro Cesarco]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Archives Erik Satie]]></category>
		<category><![CDATA[Bethan Huws]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Emma Hedditch]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fabio Kacero]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Kay Rosen]]></category>
		<category><![CDATA[Lars Svendsen]]></category>
		<category><![CDATA[Lisa Tan]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Rober Racine]]></category>
		<category><![CDATA[Susan Sontag]]></category>
		<category><![CDATA[Tania Bruguera]]></category>
		<category><![CDATA[Tomás Alonso]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=97</guid>
		<description><![CDATA[For the last couple of months, I’ve been in residency at Kadist Art Foundation in Paris, France. This is a private foundation initiated in 2001, which has been forming a collection of contemporary art, and organizing exhibitions and residencies. I am curating their upcoming exhibition, Archaeology of Longing (Archéologie de la Chine), which takes place [...]]]></description>
		<wfw:commentRss>http://blog.sideshows.org/2008/09/archaeology-of-longing/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Raising the paddle for a surrealist manifesto and a 1990s painting on Melrose</title>
		<link>http://blog.sideshows.org/2008/05/special-art-auctions</link>
		<comments>http://blog.sideshows.org/2008/05/special-art-auctions#comments</comments>
		<pubDate>Tue, 20 May 2008 21:02:16 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Auctions]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Publications]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=76</guid>
		<description><![CDATA[Andre Breton’s original 21-page manuscript of the Surrealist Manifesto (1924) will be auctioned tomorrow afternoon at Sotheby’s in Paris. This historical document is part of a larger auction including more than 200 lots, items drawn from the collection of Simone Collinet, Breton’s first wife. (Collinet died in 1980; the sale is arranged by her heirs.) [...]]]></description>
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		<slash:comments>0</slash:comments>
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