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	<title>Sideshows &#187; Tania Bruguera</title>
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	<description>Thoughts on contemporary art and culture by Sofía Hernández Chong Cuy</description>
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		<title>Artistic Sensibility, Civic Responsability</title>
		<link>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment</link>
		<comments>http://blog.sideshows.org/2011/08/tania-bruguera-immigrant-movment#comments</comments>
		<pubDate>Thu, 11 Aug 2011 15:47:29 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[ArtistRun]]></category>
		<category><![CDATA[Creative Time]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Queens Museum]]></category>
		<category><![CDATA[Tania Bruguera]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=961</guid>
		<description><![CDATA[Since the 1990s, Tania Bruguera has exhibited widely, making performances, staging interventions, and creating installations that destabilize received notions of power. Perhaps her most recognizable work is her performance “The Burden of Guilt” (1997-1999), in which the artist, wearing a raw-lamb carcass, eats dirt with her hands; the performance, we later learned, was a re-enactment [...]]]></description>
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		<title>Archaeology of Longing</title>
		<link>http://blog.sideshows.org/2008/09/archaeology-of-longing</link>
		<comments>http://blog.sideshows.org/2008/09/archaeology-of-longing#comments</comments>
		<pubDate>Tue, 02 Sep 2008 21:49:03 +0000</pubDate>
		<dc:creator>Sofía Hernández Chong Cuy</dc:creator>
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		<category><![CDATA[Alejandro Cesarco]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Archaeology of Longing]]></category>
		<category><![CDATA[Archives Erik Satie]]></category>
		<category><![CDATA[Bethan Huws]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Curating]]></category>
		<category><![CDATA[Emma Hedditch]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Fabio Kacero]]></category>
		<category><![CDATA[Joe Scanlan]]></category>
		<category><![CDATA[Kadist Art Foundation]]></category>
		<category><![CDATA[Kateřina Šedá]]></category>
		<category><![CDATA[Kay Rosen]]></category>
		<category><![CDATA[Lars Svendsen]]></category>
		<category><![CDATA[Lisa Tan]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Luca Frei]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Rober Racine]]></category>
		<category><![CDATA[Susan Sontag]]></category>
		<category><![CDATA[Tania Bruguera]]></category>
		<category><![CDATA[Tomás Alonso]]></category>

		<guid isPermaLink="false">http://blog.sideshows.org/?p=97</guid>
		<description><![CDATA[For the last couple of months, I’ve been in residency at Kadist Art Foundation in Paris, France. This is a private foundation initiated in 2001, which has been forming a collection of contemporary art, and organizing exhibitions and residencies. I am curating their upcoming exhibition, Archaeology of Longing (Archéologie de la Chine), which takes place [...]]]></description>
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